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His parents, Fred Klein and Marie Raymondwere both painters.
At the age of nineteen, Klein and his friends lay on a beach in the south of France, and divided the world between themselves; Arman chose the earth, Pascal, words, while Klein chose the ethereal space surrounding the planet, which he then proceeded to sign: With this famous symbolic gesture of signing the sky, Klein had foreseen, as in a reverie, the thrust of his art from that time onwards—a quest to reach the far side of the infinite.
He also stayed in Japan in In Klein wrote a book on judo called Les Fondements du judo. The Blue Epoch[ edit ] Yves Klein, IKBAlthough Klein had painted Yves klein fire essay as early asand held the first private exhibition of this work inhis first public showing was the publication of the artist's book Yves Peintures in November Yves Peintures anticipated his first two shows of oil paintings, at the Club des Solitaires, Paris, October and Yves: Proposition monochromes at Gallery Colette Allendy, February Public responses to these shows, which displayed orange, yellow, red, pink and blue monochromes, deeply disappointed Klein, as people went from painting to painting, linking them together as a sort of mosaic.
From the reactions of the audience, [Klein] realized that Shocked at this misunderstanding, Klein knew a further and decisive step in the direction of monochrome art would have to be taken From that time onwards he would concentrate on one single, primary color alone: Discovered with the help of Edouard Adam, a Parisian paint dealer,  the optical effect retained the brilliance of the pigment which, when suspended in linseed oil, tended to become dull.
Klein later deposited a Soleau envelope  for this recipe to maintain the "authenticity of the pure idea. Thanks to an enormous publicity drive, 3, people queued up, waiting to be let into an empty room.
Klein had studied judo in Japan between andand also displayed an interest in Zen Buddhism.
Recently my work with color has led me, in spite of myself, to search little by little, with some assistance from the observer, from the translatorfor the Yves klein fire essay of matter, and I have decided to end the battle. My paintings are now invisible and I would like to show them in a clear and positive manner, in my next Parisian exhibition at Iris Clert's.
The Opera House was inaugurated in December Klein celebrated the commission by travelling to CasciaItaly, to place an ex-voto offering at the Saint Rita Monastery.
The container was only rediscovered in This experimentalism would lead to a number of works Klein made using naked female models covered in blue paint and dragged across or laid upon canvases to make the image, using the models as "living brushes".
This type of work he called Anthropometry. Other paintings in this method of production include "recordings" of rain that Klein made by driving around in the rain at 70 miles per hour with a canvas tied to the roof of his car, and canvases with patterns of soot created by scorching the canvas with gas burners.
Both from Nice, the two worked together for many years and Arman even named his son, Yves Arman after Yves Klein who was his god-father. Sometimes the creation of these paintings was turned into a kind of performance art —an event infor example, had an audience dressed in formal evening wear watching the models go about their task while an instrumental ensemble played Klein's The Monotone Symphony a single minute sustained chord followed by a minute silence.
He wanted his buyers to experience The Void by selling them empty space. In his view this experience could only be paid for in the purest material: In exchange, he gave a certificate of ownership to the buyer.
As the second part of the piece, performed on the Seine with an Art critic in attendance, if the buyer agreed to set fire to the certificate, Klein would throw half the gold into the river, in order to restore the "natural order" that he had unbalanced by selling the empty space that was now not "empty" anymore.
He used the other half of the gold to create a series of gold-leafed works, which, along with a series of pink monochromes, began to augment his blue monochromes toward the end of his life. Aero works[ edit ] Le Saut dans le vide Leap into the Void ; Photomontage by Shunk — Kender of a performance by Klein at Rue Gentil-Bernard, Fontenay-aux-RosesOctober Klein is also well known for a photomontageSaut dans le vide Leap into the Void originally published in the artist's book Dimanchewhich apparently shows him jumping off a wall, arms outstretched, towards the pavement.
Klein used the photograph as evidence of his ability to undertake unaided lunar travel. In fact, "Saut dans le vide", published as part of a broadside on the part of Klein the "artist of space" denouncing NASA's own lunar expeditions as hubris and folly, was a photomontage in which the large tarpaulin Klein leaped onto was removed from the final image.
Klein's work revolved around a Zen -influenced concept he came to describe as "le Vide" the Void. Klein's Void is a nirvana-like state that is void of worldly influences; a neutral zone where one is inspired to pay attention to one's own sensibilities, and to "reality" as opposed to "representation".
Klein presented his work in forms that were recognized as art—paintings, a book, a musical composition—but then would take away the expected content of that form paintings without pictures, a book without words, a musical composition without in fact composition leaving only a shell, as it were.
In this way he tried to create for the audience his "Zones of Immaterial Pictorial Sensibility". Instead of representing objects in a subjective, artistic way, Klein wanted his subjects to be represented by their imprint: He tried to make his audience experience a state where an idea could simultaneously be "felt" as well as "understood".
Multiples[ edit ] As well as painting flat canvases, Klein produced a series of works throughout his career that blurred the edges between painting and sculpture. He appropriated plaster casts of famous sculptures, such as the Winged Victory of Samothrace and the Venus de Miloby painting them International Klein Blue; he painted a globe, 3D reliefs of areas of France and dowels which he hung from the ceiling as rain; He also stuck sponges to canvases and painted dinner plates.
Many of these works were later manufactured as editioned multiples after his death. In Blue Obelisk, a project that he had failed to realise inbut that finally happened inhe appropriated the Place de la Concorde by shining blue spotlights onto the central obelisk.Yves klein fire essay Yves klein fire essay compass records case resolution essays essay about self discipline, le federalisme dissertations, motives for imperialism dbq essay renaissance essay on catcher in the rye theme from a summer essays on 28 days later libertarianism philosophy essay conclusion.
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Dec 13, · 13 December Yves Klein, Selected Paintings & Essay. Posted on December 13, by fARTiculate. Selected Essay: Yves Klein. The Chelsea Hotel Manifesto. by Yves Klein. Truly, fire is one of these principles, essentially contradictory, one from the other, since it is both the sweetness and torture that lies at the heart.